There is something in the new Demet Özdemir and Engin Akyürek series that has baffled the fans of the actors. We tell you.
Engin Akyürek is a Turkish actor famous for being the author and protagonist of the series ‘Kaçış’ (‘Escape’), which became this summer the First Turkish production for Disney+and now it is now The actress of the ‘Dreaming Bird’ (‘Erkenci Kus’) Demet Özdemir, in the new series ‘Adım Farah’ (‘My name is Farah’) that Is being broadcast from this February 15 in the chain Turkish Fox.

Engin Akyürek fans are very excited about the series since the actor who plays the character of Tahir, gets into the skin of a Ruthless chief of the mafia . The story develops after Demet Özdemir fled from Iran with his son after witnessing a murder. During the series, the connection between Demet and Akyürek transfers the screen as the final tandem.

The communication of the characters of Farah and Tahir, which began with a murder, Becomes love little by little what Increases the tension between them two chapter A chapter.
In fact, Akyürek’s role in the series is so different from everything the actor has done that fans have taken a difficult surprise to explain.

Engin Akyürek, is very jealous of his intimacy and does not like to appear in media more than for his work, but he has such a large fans base abroad that every time people start talking about their project, < Strong>Becomes a trend in networks.

The reason why the series ‘Escape’ has been a great success in Disney+ is the great fans base of the actor that follow him from all countries. Thus Fox TV Hopes to benefit from this popularity both in terms of national and international audience indexes.
The fact that Demet Özdemir also has a large fans base abroad and appears on the screen with A very different female character makes the series “Adım Farah” still More interesting and disruptive for fans.
Engin Akyürek fans praise the actor and say: “He not only plays the character, Lives it and feels it in every way.”

All Demet Özdemir and Engin Akyürek fans agree that the two have made a qualitative leap with ‘Adim Farah’ Showing interpretive records they had never arrived before.